ALL OF 118 glossy leaves between
covers and totally absent any pagination!
Wow! On that score alone, Kasalesayan Ning San Fernando (History
of San Fernando) may well deserve a niche all its own in the Guinness Book of
World Records, or top spot in some Idiot’s Guide to Book Publishing.
A book with no page
numbers, which “initial 300 copies will be distributed to private and public
institutions which will serve as reference especially to teachers.” Duh, pity
the poor Madam seeking the specific page to reference relative to the specific
chapter, section or text for her lesson at hand.
Duh, duh, woe unto the
poor researcher excerpting passages from the book with no page to cite in his
footnotes.
And that’s just for starters.
Mishmash
The lay-out is cluttered. A
mishmash of collages, pa-effect
framings and photos begging relevance to the accompanying texts defile the
synergy of all elements that ideally make the page reach out to and catch the
total attention of the reader.
Unhelped, aye, worsened by
the low quality of many of the photographs – over, under, poorly composed,
needs cropping, distorted, if I may borrow from the critiques of master lensmen Borj
Meneses and Ruston Banal.
The very placement of some
photos, to be succinctly brutal, is far from judicious. Like that of “Gen.
Douglas MacArthur in Bamban, January 26, 1945…” appearing in the section
featuring Barangay Bulaon with no reference whatsoever to the American
liberator.
That one vintage photo of
a car traveling on some road appearing twice in a single chapter, with the same
caption: “Dalan Bayu. Highway near San Fernando in the early 1900s” and then
again in another chapter with the caption: ‘Manila North Road, San Fernando” is
absolute nonsense, mayhaps rising out of indolence of the lay-out artist
compounded by myopia on the part of the editor.
Recurrence obtains too in
the subsections “Kabangka Ding Barrio,”
“Kabangka; Barangay beginnings,” and “Kabangka:
Emergent barangays” appearing within four leaves of one another in Chapter
1. It gives the reader the impression that the writer has a rather limited
lexicon.
No simple recurrence but
gross misprint is the case of two paragraphs in Chapter 10 repeated in toto in
successive pages. The proofreader or the editor caught soundly asleep there.
Conversely, a whole
section, “Dungan: San Fernando. The
Philippine-American War, and the Fall of the Republic (1899)” was cut
halfway, giving space to an italicized unattributed account, severing continuity and shutting logic out
of the article.
Contributing to the clutter
in the pages is the randomness of the typefaces used and the non-uniformity of
the font sizes, especially in the section heads – some all caps, others upper
and lower; some bold, others normal.
Neither rhyme nor reason
too obtained in the italicization: Kapampangan or non-English words, names of
newspapers, radio-TV stations, titles of books or art works come italicized at
times, in normal type at other. It makes a wonder what stylebook the editor of
the book used, or if the editor had any notion of a stylebook at all.
And that’s only for the
form.
Good
The book has its good
parts, great parts, to be fair rather than simply be kind.
Historical curiosity finds
satiation in the chapters written by Joel P. Mallari on Geography and the Barrios, Lino L. Dizon on Propaganda and the Revolutions, Robby P. Tantingco on Peacetime to WW II, and Dom Martin H.
Gomez, OSB, on Life and Faith.
Truly enlightening,
entertaining, empowering read. The last, notwithstanding a glaring factual
error in citing “…the incumbent bishop, the Most Rev. Emilio A. Cinense,
DD…became its first archbishop. He was succeeded by Most Rev. Paciano B.
Aniceto…on March 14, 1988.”
It was, in fact, the Most
Rev. Oscar V. Cruz that succeeded Apu Cinense
in 1978.
Worst
For its worst part,
there’s Chapter 5: Postwar to Martial Law
-- a blabber of motherhood statements, enumeration of the names of the mayors
of that period, a hodgepodge of catchphrases of the times capped by the totally
irrelevant pictures of NLEx and SCTEx and that billboard directory by the road
leading to the government center in Maimpis. All of three leaves and a half
make the chapter really deficient in form, hollow in substance.
All there is of martial
law is a half-page photograph of Marcos. Yes, there is a picture of the marker
“Assassination Site of Levi Panlilio (Calulut)” but not its story.
While I have no knowledge
of the postwar reconstruction of the capital, having been born years later, I
am a living witness to the period before, during and after martial law here.
From memory now:
Panlilio’s assassination
followed by the killing of Sto. Tomas Mayor Joaquin Pineda inside a cabaret at
the boundary of Del Pilar and San Nicolas;
Mayor Armando P. Biliwang
figureheading the para-military Barrio Self-Defense Units against insurgents;
Sen. Benigno S. Aquino Jr.
intervening in the 1971 gubernatorial race, raising the hand of unknown Brigido
Valencia as his personal choice and the Liberal Party standard bearer at a
rally in San Fernando, spelling doom for frontrunner Virgilio “Baby” Sanchez.
The occupation by
Constabulary troopers of the churchyard and blockade of all roads around the
Poblacion area upon the declaration of martial law.
The “Rape of Democracy” in
the elections of 1980, when teachers were herded by armed goons at the
municipal hall, “threatened and coerced into making spurious election returns without
regard to the genuine ballots in the ballot boxes.”
The heroism of these teachers led by the intrepid Tess Tablante led to
the nullification of the election results, deposed the proclaimed winner and
set an unprecedented rule of succession with a Philippine Constabulary officer,
Col. Amante Bueno, deputy commander for administration at Camp Olivas, seated
as OIC-Mayor, succeeded by lawyer Vic Macalino, on the recommendation of the Estelito
P. Mendoza, governor of Pampanga, secretary of justice, solicitor-general,
among other titles. The political impasse ending with special election in 1983
won by Baby Sanchez.
Contemporaneous event was
the assassination of Jose B. Lingad even as the 1980 count in the gubernatorial
contest was ongoing with him leading.
The birth of MAYAP
(Movement for the Advancement of Young Advocates of Pampanga) with Oscar S.
Rodriguez, Attlee Viray, Jesse Caguiat and Roman Razon at the core in the fight
for human rights.
Incomplete, aye, cheated
is the history of San Fernando without any accounting of these milestones.
Lost
Lost in transition from Chapter 5 to Chapter 6: Mt. Pinatubo Eruptions and the Making of a City is the period leading to EDSA 1 and its
immediate aftermath.
The role San Fernando played leading to EDSA is by all means stellar:
serving as fertile ground to dissent spurred by the Ninoy Aquino assassination,
the countless yellow rallies – one at the cathedral with Dona Aurora Aquino
leaving no eyes dry with her contemplation of her own sorrowful mysteries in
the life and death of her son, the consolidation of the opposition in the 1984
Batasang Pambansa elections, the busloads of Fernandinos trooping to EDSA
throughout the revolt.
The euphoria dampened by the refusal of Sanchez to vacate the municipal
hall and cede the post to OIC-Mayor Paterno Guevarra, the once perennial loser
finally winning in 1988.
Those too contributed to
what San Fernando is today.
Unheroic
Alas, the book is no place
for heroes.
Chapter 8 – Great Fernandinos: Expressions of
Excellence with the bullets: Movers and shakers, Leaders and builders,
Peerless pioneers, Visionaries and dreamers has a surfeit of artists and
performers, writers and engineers, beauty titlists and even social celebrities,
each with his/her own personality sketch.
That pantheon of greatness
excluded the truly great Fernandinos, authentic heroes who consecrated their
lives for country and people, notably Pedro Abad Santos, father of Philippine
Socialism, whom it remembered through minute faded cameo; and Jose Abad Santos,
greatest Filipino martyr in WWII, whom it honored with a postage stamp-size
picture of his oath-taking. In effect, reducing them to mere footnotes of local
history.
Utter disrespect, sheer
contempt of the Abad Santos brothers made even more manifest vis-Ã -vis the
full-page full-color photographs of Cong. Oscar Rodriguez for having chaired
the El Circulo Fernandino 2012 ball,
Cannes-winning director Brilliante Mendoza, and heritage advocate Ivan Henares.
Seriously, what history
can one make of San Fernando absent Don Pepe and Don Perico?
Kasalesayan falls
mighty short of being the history book it purports to be.
And I haven’t even
finished browsing through its leaves.